Jay-Z Death Of Autotune
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- Zmily
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Re: Jay-Z Death Of Autotune
e prea tare pa dreacu. o sa si-o ia in bot asa cum si-a luat-o si de la nas. cum am mai zis. il subestimati prea mult pe game
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Re: Jay-Z Death Of Autotune
Poate daca the game e canibus undercover, asa da, e subestimat
Re: Jay-Z Death Of Autotune
Jay Z se pisa pe rapperi si pe Tom Green ! De Ce? Pentru ca e un adevarat

- Zmily
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Re: Jay-Z Death Of Autotune
Producer No I.D. recently spoke on the creation of Jay-Z's controversial "Death of Autotune" record and explained how Soulja Boy was initially used for motivation.
The producer explained how he, Kanye West, Cool & Dre, Don Cannon and Timbaland were each in the studio going over the song's creation.
"Jay is the type of artist that can go so many directions," I.D. explained in an interview. "It was me, Tim, Ye, Cool & Dre, Don Cannon and a deejay. The deejay said Jay needed a record like Soulja Boy got to get the kids. The energy shifted from Kanye, he was like 'Man, enough is enough.' But then I put the headphones on and started finishing the unfinished idea I had. And Kanye was like 'Put this in there, put this in there,' and soon as I played it, all the heads went to the 'Jay-Z pocket,' and Kanye said how the chorus should be, Jay just took it and came back the next day with the whole song...[The sample] was so unique and so emotional that I knew it would cause a reaction no matter what. I wanted to try to get as close to authentic 90's style hip-hop without being limited to the 90's style program of drums." (Zach Wolfe)
Jay also spoke on the track's creation earlier this week.
"He actually sparked the idea," Jay revealed. "When he heard the beat he said, 'Man, this is just so hard! This has to be against everything -- no auto-tune, none of that type of stuff!' He didn't know what I was going to do or where I was going to take it, but it was actually his fault...After we made the 'D.O.A.' record about a month ago, we were like, 'if it's got to go, it's got to go' [from my album]. In hip-hop, our job is once a trend becomes a gimmick, to get rid of it. We've done that since the beginning of time...Now people are using auto-tune even in Wendy's commercials, and it's like, 'Oh no! That has to go!' It's become part of main culture. It's the same thing like when the old lady in Oregon starts saying, 'bling, bling.' It's like, 'I'm never saying that again.'" (Billboard)
No I.D. also compared the record to Ye's 808s & Heartbreak earlier this year.
"Me and Kanye have been doing a lot of work, we worked on Blueprint together," No. I.D. revealed. "Most of the stuff, I kinda took an ego, stepped back and said, 'Hey, let's [Dr.] Dre and Mel-Man it. I played Mel-Man. I'm gonna say, we were doing Blueprint 3 when we did 'Heartless.' 'Heartless' made 808s & Heartbreak happen and all that is related but everything in Blueprint 3 is like 808s & Heartbreak but with more hip-hop. So it's kinda like they related and Jay brings it around to make it hip-hop credible. It's some records on there. That record is also gonna be something that's gonna grow on people in a certain way and in a certain amount of time it's gonna be a full fledged classic." (Real Talk Express)
Along with mentoring Ye, No I.D. has produced tracks for a number of rap stars.
No I.D.'s production credits including G-Unit's Beg For Mercy, DMX's Grand Champ, D.O.D.'s Do or Die, Jamie Foxx's Unpredictable, Bow Wow's Wanted, Jay-Z's American Gangster and Plies' Da Realist. (All Music)
The Blueprint 3 is due in stores Friday, September 11th.
The producer explained how he, Kanye West, Cool & Dre, Don Cannon and Timbaland were each in the studio going over the song's creation.
"Jay is the type of artist that can go so many directions," I.D. explained in an interview. "It was me, Tim, Ye, Cool & Dre, Don Cannon and a deejay. The deejay said Jay needed a record like Soulja Boy got to get the kids. The energy shifted from Kanye, he was like 'Man, enough is enough.' But then I put the headphones on and started finishing the unfinished idea I had. And Kanye was like 'Put this in there, put this in there,' and soon as I played it, all the heads went to the 'Jay-Z pocket,' and Kanye said how the chorus should be, Jay just took it and came back the next day with the whole song...[The sample] was so unique and so emotional that I knew it would cause a reaction no matter what. I wanted to try to get as close to authentic 90's style hip-hop without being limited to the 90's style program of drums." (Zach Wolfe)
Jay also spoke on the track's creation earlier this week.
"He actually sparked the idea," Jay revealed. "When he heard the beat he said, 'Man, this is just so hard! This has to be against everything -- no auto-tune, none of that type of stuff!' He didn't know what I was going to do or where I was going to take it, but it was actually his fault...After we made the 'D.O.A.' record about a month ago, we were like, 'if it's got to go, it's got to go' [from my album]. In hip-hop, our job is once a trend becomes a gimmick, to get rid of it. We've done that since the beginning of time...Now people are using auto-tune even in Wendy's commercials, and it's like, 'Oh no! That has to go!' It's become part of main culture. It's the same thing like when the old lady in Oregon starts saying, 'bling, bling.' It's like, 'I'm never saying that again.'" (Billboard)
No I.D. also compared the record to Ye's 808s & Heartbreak earlier this year.
"Me and Kanye have been doing a lot of work, we worked on Blueprint together," No. I.D. revealed. "Most of the stuff, I kinda took an ego, stepped back and said, 'Hey, let's [Dr.] Dre and Mel-Man it. I played Mel-Man. I'm gonna say, we were doing Blueprint 3 when we did 'Heartless.' 'Heartless' made 808s & Heartbreak happen and all that is related but everything in Blueprint 3 is like 808s & Heartbreak but with more hip-hop. So it's kinda like they related and Jay brings it around to make it hip-hop credible. It's some records on there. That record is also gonna be something that's gonna grow on people in a certain way and in a certain amount of time it's gonna be a full fledged classic." (Real Talk Express)
Along with mentoring Ye, No I.D. has produced tracks for a number of rap stars.
No I.D.'s production credits including G-Unit's Beg For Mercy, DMX's Grand Champ, D.O.D.'s Do or Die, Jamie Foxx's Unpredictable, Bow Wow's Wanted, Jay-Z's American Gangster and Plies' Da Realist. (All Music)
The Blueprint 3 is due in stores Friday, September 11th.
Anything an Undergrounder considers to be corporate, or money making becomes Mainstream, and anything a Mainstreamer believes to be odd or extreme becomes Underground.
- Zmily
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Re: Jay-Z Death Of Autotune
Anything an Undergrounder considers to be corporate, or money making becomes Mainstream, and anything a Mainstreamer believes to be odd or extreme becomes Underground.
Re: Jay-Z Death Of Autotune
Cred ca il cauta mai mult pentru publicitate, Jay-Z se pisa pe Game la toate capitolele.
"Alcohol may be man's worst enemy, but the bible says love your enemy."
Re: Jay-Z Death Of Autotune
si avand in vedere ca O SINGURA PIESA de-a lui the game se pisa pe toata discografia lui nas, rezulta ca jay-z se pisa pe nas. moka pink ranger poate confirma.
99.9%
- Zmily
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Re: Jay-Z Death Of Autotune
On The Game’s diss track and exaggerated response to his mention in Hov’s BP3 intro:
“Tell me exactly what I said….(Tim: you mentioned his name, Jim Jones’ name, Dame Dash’s name…) I said I’m not talking about, this, this. I’m not…Is that a diss? ‘Oh, you hurt my feelings.’ Tell groupie to get over it…If that’s a diss, then wear that. Tell groupie to get over it.”
“Tell me exactly what I said….(Tim: you mentioned his name, Jim Jones’ name, Dame Dash’s name…) I said I’m not talking about, this, this. I’m not…Is that a diss? ‘Oh, you hurt my feelings.’ Tell groupie to get over it…If that’s a diss, then wear that. Tell groupie to get over it.”
Anything an Undergrounder considers to be corporate, or money making becomes Mainstream, and anything a Mainstreamer believes to be odd or extreme becomes Underground.
- Zmily
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Re: Jay-Z Death Of Autotune
http://thisizgame.ning.com/profiles/blo ... -jayz-fans
the game brings jay-z fans on stage and disses them
the game brings jay-z fans on stage and disses them
Anything an Undergrounder considers to be corporate, or money making becomes Mainstream, and anything a Mainstreamer believes to be odd or extreme becomes Underground.
- Eladio wutanghiddenmember
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Re: Jay-Z Death Of Autotune
g-unit radio apoi bws radio
thisis50 apoi thisizgame
ceva seamana?
apropo, astept featuringul cu jay-z ca 100% toata asta e strategie intre cei 2
thisis50 apoi thisizgame
ceva seamana?
apropo, astept featuringul cu jay-z ca 100% toata asta e strategie intre cei 2
www.hiphopdinromania.org
36 de producători, un singur interviu
http://www.hiphopdinromania.org/2013/06 ... atori.html

36 de producători, un singur interviu
http://www.hiphopdinromania.org/2013/06 ... atori.html
- Peekaboo
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Re: Jay-Z Death Of Autotune
Jay-Z – Run This Town (Feat. Kanye West & Rihanna)
http://bronews.com/hip-hop/jay-z-run-th ... t-rihanna/
http://bronews.com/hip-hop/jay-z-run-th ... t-rihanna/
Un fel de fluviu hip-hop
) aka Bro News-> http://bronews.com/
Magazin de Muzica Hip-Hop-> http://rapmusicstore.bronews.com/

Magazin de Muzica Hip-Hop-> http://rapmusicstore.bronews.com/
- Zmily
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Re: Jay-Z Death Of Autotune
naspa melodia. kanye o mai infrumuseteaza
Anything an Undergrounder considers to be corporate, or money making becomes Mainstream, and anything a Mainstreamer believes to be odd or extreme becomes Underground.
Re: Jay-Z Death Of Autotune
mergea si 50 aruncat pe piesa